Myla Dalbesio

14th September 2015 | Alice Taylor

‘Myla Dalbesio on how to photograph real women’ featured in Dazed digital:

American artist and photographer Myla Dalbesio is mainly known as a model, or, more precisely, the girl from the 2014 Calvin Klein campaign who sparked the debate on whether a woman of a UK size 12 should be considered a plus sized model. Her courage to start a conversation and to take pride in who she is brought her well-deserved recognition from all over the world. But, more importantly, there is more to Dalbesio’s input in the contemporary visual manifestation of feminism than just her looks. She’s been exploring femininity, sexuality, American mysticism and high school aesthetics through performance art, collage, writing and photography for over four years. Her recent photographic project “Some Girls” is an answer to the two dimensional standards of the fashion and beauty industry, an enchanting example of female gaze and a love note to all the real girls out there.

“What I am aiming to show is something very real,” explains Dalbesio. “It’s a snapshot of current femininity, of beauty that other women can connect with, that has no artifice or pretension. It’s a portrait of a new generation of feminists!” We asked Dalbesio to take us on a tour of her creative universe and share the secrets of how to shoot real girls.

GRAB YOUR FRIENDS AND CREATE SOMETHING TOGETHER

“I had a couple girlfriends (also models) who had been asking me for a long time to shoot together. Once we finally made it happen, I realised how much I loved the experience. Going to a friend’s apartment, having a cup of coffee and catching up, creating something together. I wanted to do it again, so I started shooting more friends, and the project began to evolve and take shape.”

CREATIVE PROJECTS ARE A GREAT WAY TO MEET NEW AND INSPIRING PEOPLE, AND VICE-VERSA

“Most of the girls are friends, someone I know and love, who inspire and understand me, although some of the girls are (or were, I should say) strangers, girl crushes I found on Instagram or knew of from the downtown NY scene. I like that I can use this project as a path to meet and interact with more interesting women. It’s really important to me that the girls I work with are multi-dimensional. I need to be able to talk to them while we shoot, I want to be able to connect with them on a personal level. That kind of connection plays a big role in how the photos turn out. If we aren’t vibing it will show in the photos. When I’m casting I look for confident girls that have something going on, something to say.”

RESPECT OTHER MODELS AND THEIR BOUNDARIES

“I try to never pressure anyone into doing something they are not comfortable with, I always ask permission, and if anyone shows slight hesitation I let it go and move onto a different shot. Because I shoot on film and the girls can’t see what it looks like until later, sometimes I’ll take a quick picture on my iPhone to show them what it looks like. If they don’t like it, I don’t shoot it. I also try to be very vocal about what I like about them, what I think looks beautiful. I have an advantage with that though, because I am a woman. Sometimes those kinds of compliments can come off in a different way when they are coming from a man.”

To see the full article hop over to Dazed.

Reality Project

26th June 2015 | Alice Taylor

Some beautiful photographs from the Reality Project, a project by Alma Photos who promote natural, real life beauty and celebrate the variety of the human form.

Here are some self-portraits taken in a photo booth at Fotografia Europea, Reggio Emilia, 2014.

See the full selection here.

Via: Reality Project

Quite Lovely

5th May 2015 | Alice Taylor

Self-portrait photography by Jen Davis in Quite Lovely, the second issue of the The Quite Delightful Project’s luxury erotic magazine.

To see the full essay, pre-order a copy of the magazine; which, along with its accompanying publications, you can enjoy a pre-publication discount if you order online (which you can do here).

The Other Kate

11th January 2014 | Katherine Jane

Instead of printing multiple issues with multiple covers, V #87 features two covers of Kate Upton within the one issue.

The first cover (to the right) is that of a clothed Upton, then fold it back to find it is actually a plastic overlay, and below (which you can see after the jump) rests Upton in lingerie.

Girl’s Bottoms

9th January 2014 | Katherine Jane

Following a fascinating debate in the studio yesterday regarding girl’s bottoms (a debate between three girls I hasten to add) I thought I’d allow myself a moment of idle amusement and share with you this altogether beguiling example that I encountered on the internet.c

There’s no credit for the photography of course.

Crystal Renn in Paradis

4th January 2014 | Katherine Jane
Paradis is a magazine produced twice a year in France for the discerning gentleman featuring politics, art and high-quality sensual photography of models in each issue and this essay of images features the model Crystal Renn, as photographed by Matt Jones, before she became a supermodel, and while she was still gloriously curvy.
The first shot though is an outtake from the published editorial.