Marlene Dumas: The Image as Burden

19th January 2015 | Alice Taylor

Figurative painter Marlene Dumas is soon to have an exhibition at the Tate Modern between the 5th of February until the 10th of May. In anticipation and to give you a taster of her work to date, here are some of her paintings of nudes.

About the exhibition:

‘She is one of the most prominent painters working today. Her intense, psychologically charged works explore themes of sexuality, love, death and shame, often referencing art history, popular culture and current affairs.

‘Secondhand images’, she has said, ‘can generate first-hand emotions.’ Dumas never paints directly from life, yet life in all its complexity is right there on the canvas. Her subjects are drawn from both public and personal references and include her daughter and herself, as well as recognisable faces such as Amy Winehouse, Naomi Campbell, Princess Diana, even Osama bin Laden. The results are often intimate and at times controversial, where politics become erotic and portraits become political. She plays with the imagination of her viewers, their preconceptions and fears.

Born in 1953 in Cape Town, South Africa, Dumas moved to the Netherlands in 1976, where she came to prominence in the mid-1980s. This large-scale survey is the most significant exhibition of her work ever to be held in Europe, charting her career from early works, through seminal paintings to new works on paper.

The title of the exhibition is taken from The Image as Burden 1993, a small painting depicting one figure carrying another. As with many of Dumas’s works, her choice of title deeply affects our interpretation of the work. It hints at the sense of responsibility faced by the artist in choosing to create an image that can translate ideas about painting and the position of the artist. For Dumas it is important ‘to give more attention to what the painting does to the image, not only to what the image does to the painting.’’

Via: Tate Modern & The English Group

The Nakeds

1st October 2014 | Katherine Jane

A group exhibition looking at drawings of the body exposed has opened at the Drawing Room, London.

The Nakeds takes as its starting point selected drawings of the single figure by Egon Schiele. From here it considers work by artists from the post-war period to the present day.

“The naked body is frequently the physical terrain artists traverse in search of the inner self. How to represent love, shame, solitude and sexual yearning? Drawing from the self or life model, from reproduction or the imagination, has provided artists with the freedom to explore desires, fears and fantasies.

The Austrian artist Egon Schiele (1890 – 1918) was a prolific and provocative draughtsman. His drawings of the body unclothed or in a state of undress are amongst the most arresting works to have emerged from Vienna in the tumultuous years around the First World War. Working at the same time as Sigmund Freud, in the birthplace of modern psychiatry, the artist was attacked and acclaimed in his short lifetime.

Still dividing opinion today, his drawings tested long-held distinctions between the ‘nude’ and the ‘naked’, art and pornography. The exhibition seeks to explore this contested terrain.”

Egon Schiele, Zwei Freundinnen

Egon Schiele, Standing Nude with Stockings, 1910

Maria Lassnig, Woman in the Bed, 2002

Stewart Helm, The line and the lust, 2011

Alina Szapochnikow, Bust-Length Figure of a Woman, Headless 2, c.1971

George Condo, Nude Study (i), 2007

Joseph Beuys, Girl with Apple, 1954

Rosemarie Trockel, I feel something, 1995

Other artists in the exhibition include David Austen, Fiona Banner, Louise Bourgeois, Enrico David, Marlene Dumas, Tracey Emin, Leon Golub, Chantal Joffe, Paul McCarthy, Chris Ofili, Carol Rama, Nancy Spero, Georgina Starr, Nicola Tyson, Andy Warhol and Franz West.